Michael Bishop collection
Scope and Contents
Materials in this collection include a black-and-white photograph by Michael Bishop of Mount of the Holy Cross, Colorado, taken on trip with Mark Klett, Ellen Manchester, JoAnn Verburg for the Second View Rephotographic Survey Project, circa 1977. One copy print of black-and-white photograph by William Henry Jackson of Mount of the Holy Cross, Colorado, ca. 1880s. A contact sheet signed by Michael Bishop that possibly includes portraits of Harold Jones and Thomas Barrow, circa 1975. “Catalogue Winter Spring 1974” by Michael Bishop and “Michael Bishop’s View of the New York State Barge Canal,” 1980 [postcard book].
- Bishop, Michael (Person)
Language of Materials
Material in English
Conditions Governing Access
To access materials from this collection, please contact CCP-RefDesk@email.arizona.edu
Conditions Governing Use
It is the responsibility of the user to obtain permission from the copyright owner (which could be the institution, the creator of the record, the author or his/her transferees, heirs, legates or literary executors) prior to any copyright-protected uses of the collection.
The user agrees to indemnify, defend, and hold harmless the Arizona Board of Regents, the University of Arizona, Center of Creative Photography, including its officers, employees, and agents, from and against all claims made relating to copyright or other intellectual property infringement
Michael Bishop, 1946-2016, was born in Palo Alto, California. Bishop received his BA and MA degrees in Art from San Francisco State College by 1971. In the late 1960s, Bishop was involved with the Visual Dialogue Foundation, alongside Jack Welpott, Judy Dater, and Linda Connor. He received Fellowships with the National Endowmen for the Arts in 1975 and 1978. Bishop was also a member of Polaroid’s 20 x 24 Visiting Artists Program and exhibited his Polaroid work at the LIGHT Gallery in 1979.
Bishop exhibited frequently in solo and group shows during the 1970s, including the Center for Creative Photography in 1979. His work can be found in collections across the country including the Museum of Modern Art (New York), the International Museum of Photography, the Museum of Contemporary Art (Los Angeles), the Art Institute of Chicago, and many more. Bishop’s work focused on the manipulation of images, and found creative ways to alter “straight photographs.” He started using Photoshop in the early 1980s and often referred to himself as a digital artist.
Bishop taught photography, Photoshop and computer science. Between 1971 and 1983, he worked at UC Berkeley Extension, San Francisco Art Institute, UCLA, Visual Studies Workshop in Rochester, Rochester Institute of Technology, and MIT. In 1983, Bishop returned to California where he continued to teach as a visiting professor at San Francisco Art Institute, UC Riverside, and other colleges. He retired in 2004 and spent his remaining years in the foothills of the Sierras. Bishop died in 2016 from complications of heart disease.
0.5 Linear Feet
Metadata Rights Declarations
- License: This record is made available under an Attribution-NonCommercial 4.0 International Creative Commons license.
Materials in this collection include three photographs, a catalogue, and a postcard book created by Bishop. Additional photographs reside in the Fine Print collection.
The Collection is arranged into the following series:
- Series 1: Photographic Materials
Gift of Hazel P. Summers, Executor of the Estate of Michael Bishop, 2017
Collection was processed by Leslie Squyres in 2018; finding aid was updated by Alexis Peregoy in 2018.
- Bishop, Michael (Person)
- Museum of Modern Art (New York, N.Y.). Department of Film (Organization)
- Michael Bishop collection 1975-1980
- Finding aid created by CCP Archives Staff
- © 2020
- Description rules
- Finding Aid Based On Dacs (Describing Archives: A Content Standard)
- Language of description
- Script of description
- Language of description note
- Finding aid encoded in English