Adams, Ansel, 1902-1984
Dates
- Existence: 1902 - 1984
Biography
Adams began to photograph professionally in 1930, and in 1932 was a founding member of the f/64 group in San Francisco, California. In 1940 he created the photography department at the Museum of Modern Art in New York City, New York, along with Beaumont Newhall and David McAlpin. In 1941 Adams began to photograph landscapes. From 1942 to 1944 Adams acted as the photographic adviser to the United States Army. In 1962 Adams moved to Carmel, California where he founded the Friends of Photography in 1967. He continued to document the landscape of the American West. American photographer.
Found in 21 Collections and/or Records:
Ansel Adams archive
Ansel Adams miscellaneous acquisitions collection
Ansel Adams Publishing Rights Trust archive accrual
Ernest Bloch archive
Biographical information, correspondence, memorabilia, audio-visual materials, equipment, and photographic materials, 1897 - circa 1980, of Ernest Bloch (1880 - 1959), composer, teacher, and photographer. The bulk of the collection consists of more than 6,000 negatives and transparencies documenting Bloch's landscapes, cityscapes, and portraits from 1897 until 1951 as well as 2,000 prints.
Carolyn Caddes collection
Research files and interviews by Carolyn Caddes, 1981-1982. Includes research notes, correspondence, photographic materials, and biographical materials about the Weston family. Also included are a script of lecture and a draft of an essay on Flora Chandler Weston.
Center For Creative Photography
Records, 1975 , of the Center for Creative Photography. Includes records pertaining to all phases of the Center's operation exhibitions, publications, acquisitions, and administrative activities which evidence the evolution of the Center through its growth in programs and collections. The collection is still active. 206.5 linear feet.
Friends of Photography collection
Arnold Gassan archive
William Holgers archive
Printed materials and photographic materials, circa 1930-1980, of William Holgers (1904-1981), California photographer. Most of the clippings, negatives, and photographs relate to Edward and Charis Weston. Of special note are photographs documenting the 1940 U.S. Camera Photographic Forum in Yosemite, a workshop taught by Edward Weston and Ansel Adams. Holgers' short memoir describing the workshop is also included.
Images and Words collection
Correspondence, photocopies of photographs with text, and photocopies of contact sheets documenting the 1967 workshop “Images and Words” taught by Ansel Adams, and Beaumont and Nancy Newhall at the University of California, Santa Cruz. These materials were assembled in 1990 by Elizabeth Wilcox, a participant in the workshop.
Beaumont and Nancy Newhall collection
Portraits of Photographers collection
Portraits of photographers, 1872 - 2013, from various sources. The collection includes postcards, transparencies, color, and black-and-white photographs, and snapshots of noted photographers.
Series 3: Newspaper clippings, 1920s-1984
Series 4: Publications, 1930s-1984
Series 6: Memorabilia / Artifacts, circa 1900-1984
Consists of awards, certificates, cartoons, scrapbooks, autograph books, personal clothing, and other items, owned by or given to Adams during his lifetime. The awards are from universities, professional associations, and government offices, and were largely presented between 1960 and 1984. (16 linear feet)
Series 7: Photographic materials, 1920s-1980s
Consists of lists of prints and negatives compiled by Adams, including Adams' detailed log of all his negatives with his unique numbering system; negatives; portfolios by Adams and others; contact prints; proof prints; reproduction prints; transparencies; murals; photographs given to Adams by other photographers; and portraits of Ansel and Virginia Adams by others.
Series 8: Camera equipment
Contains cameras and other equipment used by Adams. (30 linear feet)
Series 9: Biographical materials, 1929 - 1984
Series 10: Music Related Materials, 1800s-1984
Contains published scores and sheet music; unpublished music manuscripts; and commercial and privately produced sound recordings.